SYMPHONY IN F MAJOR N. 18 KV. 130
Wolfgang Amadeus Mozart (1756-1791)

This edition is based on the Breitkopf & Haertel print of the score
(1880), the so-called "Alte Mozart Ausgabe".  The original autograph
is kept in the Staatsbibliothek Preussischer
Kulturbesitz-Musikabteilung, Berlin.

    Mozart composed this piece between the second journey to Italy
(December 13, 1769 - March 28, 1771) and the third one (October 24,
1772 - March 13, 1773).  It is considered by many scholars his first
symphonic masterpiece.  Each of its four movements deserves some
attention: the Allegro shows an unprecedented rythmic power, the
Andantino Grazioso has a peaceful pastoral timbre, the Menuetto shows
a clever use of counterpoint, the Trio contains a reference to the
Menuetto in the rythm of bars 29-32.  Expecially worth of mention is
the fourth movement, Allegro Molto.  It is full of musical ideas (no
less than five themes!) and masterly passages, and is the starting
point of a series which will lead to the closing Allegro Molto of the
"Jupiter" symphony KV. 551.

    The orchestra used in this work is unique in Mozart's symphonies:
apart from the traditional string quintet, there are two flutes and
four horns (winds in Mozart's early symphonies are often limited to
two oboi and two french horns).  In no other symphony Mozart used the
same instrumentation.

    On the first page of the autograph Mozart wrote, "del
Sig. Cavaliere Amadeo Wolfg. Mozart à Salisburgo nel Maggio 1772" (by
Mr. Squire Amadeo Wolfgang Mozart, in Salzburg, May 1772).  It seems
that Mozart added the two french horns in C at a later stage, since
these are written in the bottom staff and are not included within the
vertical line which Mozart drew to group the other staves.  The order
of the staves in the autograph is the following: french horns in F
("Corni", 1st staff), flutes ("2 flauti", 2nd and 3rd staff), violins
("Violini", 4th and 5th staff), viola ("Viola", 6th staff), bassi
("Bassi", 7th staff) and horns in C major ("Corni in C Alto", 8th
staff).

Maurizio Tomasi, August 2003.
